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The Death of Snow White Review: Jason Brooks Brings a Knowingly Violent B-Movie Vibe to the Age-Old Snow White Story
Sinners Review: Ryan Coogler Incorporates the Dark Side of Blues Music and Vampire Lore in His Ambitious First Foray into the Horror Genre
The Woman in the Yard Review: Jaume Collet-Serra’s Horror Comeback is an Ambitious but Half-Baked Psychological Horror
The Assessment Review: Alicia Vikander Steals the Show in Fleur Fortuné’s Promising Directorial Debut
The Alto Knights Review: Barry Levinson’s Supposedly Ambitious Mob Drama Misses the Mark

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Crimes of the Future

(L-R) Lea Seydoux, Viggo Mortensen and Kristen Stewart in "Crimes of the Future" (2022)

July 29, 2022 Casey

Crimes of the Future (2022) Review

Crimes of the Future marks the long-anticipated comeback of David Cronenberg since his last directorial effort in 2014’s Maps to

Recent Posts

The Death of Snow White Review: Jason Brooks Brings a Knowingly Violent B-Movie Vibe to the Age-Old Snow White Story
Sinners Review: Ryan Coogler Incorporates the Dark Side of Blues Music and Vampire Lore in His Ambitious First Foray into the Horror Genre
The Woman in the Yard Review: Jaume Collet-Serra’s Horror Comeback is an Ambitious but Half-Baked Psychological Horror
The Assessment Review: Alicia Vikander Steals the Show in Fleur Fortuné’s Promising Directorial Debut
The Alto Knights Review: Barry Levinson’s Supposedly Ambitious Mob Drama Misses the Mark

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